{"id":7523,"date":"2024-03-01T12:25:49","date_gmt":"2024-03-01T11:25:49","guid":{"rendered":"https:\/\/nziria.com\/?p=7523"},"modified":"2025-09-13T15:47:40","modified_gmt":"2025-09-13T13:47:40","slug":"the-smile-a-wall-of-eyes-beyond-radiohead","status":"publish","type":"post","link":"https:\/\/nziria.com\/it\/the-smile-a-wall-of-eyes-beyond-radiohead\/","title":{"rendered":"THE SMILE: UN MURO D'OCCHI OLTRE I RADIOHEAD"},"content":{"rendered":"

Che il progetto The Smile non fosse semplicemente uno spin-off dei Radiohead era chiaro gi\u00e0 dopo l\u2019ascolto del loro primo album, \u201cA Light for Attracting Attention\u201d, uscito nel 2022. Se l\u2019esordio conteneva pi\u00f9 di un elemento di rimando alla produzione della band di Oxford (con incursioni in territori alt-rock e grintosi episodi post-punk, impreziositi da gioielli semiacustici come \u201cFree in The Knowledge\u201d), in \u201cWall of Eyes\u201d Tom Yorke e Johnny Greenwood, ossia gli Smile nonch\u00e9 2\/5 dei Radiohead, prendono una traiettoria che marca ancor di pi\u00f9 la distanza dal loro progetto principale, rimasto in stand-by dal lontano 2016. Forse, pi\u00f9 che di distanza, si pu\u00f2 parlare di superamento. Radiohead<\/strong>, prendono una traiettoria che segna ulteriormente la distanza dal loro progetto principale, in stand-by dal 2016. Forse pi\u00f9 che distanza, pu\u00f2 essere descritta come trascendente.<\/h3>\n

IL DISCO<\/h2>\n

\"smile<\/a><\/p>\n

\"Wall of Eyes\" \u00e8 un album d\u2019atmosfera coeso ed omogeneo, cinematico, da ascoltare per intero come un\u2019opera e, per questo, difficilmente digeribile al primo impatto. Ma \u00e8 un lavoro che lievita ascolto dopo ascolto, facendo passare l\u2019ascoltatore da uno stato di smarrimento (se non proprio di noia) a uno stato di assuefazione, via-via che le note degli 8 brani che lo compongono diventano pi\u00f9 familiari.<\/h4>\n

Ci troviamo di fronte a canzoni che presentano evoluzioni intriganti e raffinate, con un sound solo in apparenza minimalista e che sa divenire denso e stratificato, regalandoci aperture ariose grazie al lavoro sapientemente eseguito dalla London Contemporary\u00a0Orchestra (il disco \u00e8 stato registrato negli Abbey Studios tanto cari ai Beatles, e non \u00e8 un caso che echi di \u201cA day in the life\u201d risuonino in pi\u00f9 di un passaggio).<\/h4>\n

In tutti i 45 minuti di durata, si avverte un senso di intensit\u00e0 ed evocazione. La chitarra di Grenwood si conferma tagliente e riesce a donare riff spigolosi ai brani, mentre la batteria di Tom Skinner \u2013 membro fondatore dei Sons of Kemet \u2013 si amalgama benissimo con l\u2019impianto sonoro e, nel suo incidere jazzistico, funge da raccordo ritmico con il timbro vocale di Yorke, che qui appare ancora pi\u00f9 alieno, stralunato e maturo nel cantare i suoi demoni (il senso di oppressione tecnologica che emerge nella title-track, o i richiami allo scenario pandemico di \u201cFriend of a friend\u201d) interpretando l\u2019ennesima, riuscita evoluzione di s\u00e9 stesso.<\/p>\n

In un andazzo folk-psych intervallato da fughe prog, arrangiamenti orchestrali e sprazzi di ambient, Wall of Eyes raggiunge il suo climax con \u201cBending Hectic\u201d, il vero e proprio highlight del disco. Si tratta di una suggestiva ballad che pare uscita dalla colonna sonora di un film degli anni 50, il cui testo narra di un\u2019auto lanciata a grande velocit\u00e0 sulla strada delle Alpi italiane che, in un crescendo d\u2019archi e violini, ad un certo punto esce di strada.<\/p>\n

\u201cLa terra sta venendo per me adesso
\nSiamo andati oltre il limite
\nSe hai qualcosa da dire
\nDillo adesso"<\/em><\/strong><\/p><\/blockquote>\n

Per quanto il protagonista non si arrenda e cerchi di riportare la macchina in carreggiata, l\u2019incidente \u00e8 inevitabile al punto che sembra quasi di avvertirlo fisicamente quando, nel finale, le chitarre esplodono in una coda lancinante.<\/p>\n

\u201cNonostante queste fionde
\nNonostante queste frecce
\nMi costringer\u00f2 a girarmi
\nGiro"<\/em><\/strong><\/p>\n

CONCLUSIONI<\/strong><\/p>\n<\/blockquote>\n

Quel che resta alla fine dell\u2019album \u00e8 una sensazione straniante, tipica dell\u2019incapacit\u00e0 di riuscire ad assimilare e decifrare pienamente ci\u00f2 a cui si \u00e8 appena prestato ascolto. Un retrogusto dolceamaro di echi lontani, il frutto di un riassemblaggio sonoro di elementi provenienti dal passato che, tuttavia, possono tratteggiare nuovi orizzonti.<\/p>\n

E, forse, la sensazione che gli Smile siano la band pi\u00f9 importante di questi anni \u201920<\/p>\n

Wall Of Eyes: voto 8\/10<\/strong><\/p>\n

Ascolta su Spotify<\/strong><\/p>\n

\"NZIRIA<\/a><\/p>\n

Scritto da: Jack Div<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Il progetto degli Smile chiaramente non era solo uno spin-off dei Radiohead dopo aver ascoltato il loro debutto<\/p>","protected":false},"author":122,"featured_media":7544,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[13],"class_list":["post-7523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nziria-music-insights","tag-scopri-connettiti-e-prospera-con-nziria-magazine-il-tuo-modo-per-potenziare-le-connessioni"],"yoast_head":"\nNZIRIA\u00ae MAGAZINE Presents The New Album of THE SMILE<\/title>\n<meta name=\"description\" content=\"NZIRIA MAGAZINE - New Album, THE SMILE "Wall of Eyes" is a cohesive and homogeneous atmospheric album, cinematic, meant to be listened...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nziria.com\/it\/the-smile-a-wall-of-eyes-beyond-radiohead\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NZIRIA\u00ae MAGAZINE Presents The New Album of THE SMILE\" \/>\n<meta property=\"og:description\" content=\"NZIRIA MAGAZINE - 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